Hot Fuss

CD Details

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The Killers match postpunk guitars with a synthesizer overlay that recalls ’80s New Wave without burying their sound in nostalgia. On their debut, Hot Fuss, frontman Brandon Flowers plumbs his imagination for tales of murdered lovers (“Jenny Was a Friend of Mine,” “Midnight Show”), voyeurism (“Mr. Brightside”), and sexual confusion (the single “Somebody Told Me”), Flowers and his mates are obviously canny students; the total effect is of a playacted obsession, but one made irresistible by their skillful, catchy songs. If there’s an occasional misstep (the painfully earnest line “I got soul but I’m not a soldier” from “All These Things That I’ve Done”), it seems of a piece with the Killers’ influences. As it is, Hot Fuss is one of several recent releases that bring a diverting faux glamour to the mainstream rock scene. –Rickey Wright

Product Description

These Las Vegas youngster draw heavily on the ’80s pop-rock they grew up with, and have generated and industry wide buzz on the strength of their live performances and two U.K. released singles. The first single off of their new album is “Somebody Told Me.”

About the Artist

Brandon Flowers (yes, it is his real name) had been dumped by his one previous group, a synth-pop outfit named Blush Response, when he refused to move with the rest of the band to L.A. Cruelly ditched, but inspired by seeing Oasis play, he saw that his life needed more guitars. When he clocked Dave Keuning’s small ad in a local paper naming that band as an influence – and what with Oasis not exactly factoring in the pasty Vegas music scene – he took it as fate that they should be together. Brandon and Dave met Ronnie Vannucci, a photographer at the Little Chapel of Flowers and student of classical percussion at UNLV, and Mark Stoermer, who was making ends meet as a medical courier (blood, urine, the odd body part – all glamour). In between these couldn’t-make-it-up day-jobs (Brandon, for the record, was a bellhop at the Gold Coast Hotel; whilst Dave garnered valuable training for his current all-the-ladies-love-an-axeman dilemmas whilst enjoying trysts with lady-shoppers at his Banana Republic job) the newly-complete Killers set to writing what we can assuredly state to be one of the most exciting debut albums you’ll have heard in a very, very long time. The band came to the attention of London-based independent label Lizard King, and they made their way over to the UK for their first ever gigs outside of Las Vegas and a limited edition release of “Mr Brightside” in September 2003. Those lucky enough to catch these first London shows came away pretty much unanimously enamoured (“A head-mashingly brilliant arsenal of tunes… Right now few bands are a safer bet than The Killers”, glowed NME), while the group’s subsequent appearance at New York industry fiesta CMJ in October saw a swarm-sized buzz surround the band and a worldwide (ex-UK) deal inked with Island Records.