Synopsis: Amazon.comMovie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it’s remarkable that Crash even got made; that it’s a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents–black, white, latino, Asian, and Persian–is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris “Ludacris” Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop–these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast–ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)–meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. –Bret FetzerProduct DescriptionMatt Dillon, Sandra Bullock, Don Cheadle. Compelling plotlines dash in and out of this riveting drama leaving no stone unturned and nothing sacred in a 36-hour stretch in racially tense Los Angeles. Explosive and raw subjects with gutsy performances make this film about daily urban life a four star collision! 2004/color/115 min/R.